These days before the turn of the year, I

These days before the turn of the year, I'm following the Advent Calendar that Phlow.es is presenting on its website. In it, various agents netaudio known scene, friends and fellow soldiers walk publishing what is best for them in 2010. The proposal falls three categories: top 5 songs and top Netlabels best "CC time." As good and avid followers of Phlow Every day we followed the suggestions that our activists are posting Netaudio. So far so good. In recent houston months, I have had the opportunity to hang out and meet in person with many national artists and producers who publish in netaudio netlabels scene or manage or broadcasting platforms. With them I shared music, we talked at length about this new musical culture and was able to see first hand the concerns of a group very active and eager to make things move and fight for this alternative to the status quo of the music industry . To all of them, they have raised several questions that take months assaulted me and worry me, these are: why the Netaudio scene does not exist in a clear and obvious negative criticism? Why anyone would think to do negative reviews? Why no Charts Netaudio worst of 2010? Why nobody dares to say that netlabels and artists who released great albums in the past and they do not? Each of my partners have answered according to their position showing interest in this emerging debate. Many of them have expressed that list of "likes" and "do not like", and were open to consider what happens in that sense, each given to his view on why there is no review. With this text, I do not intend to list the worst of the netaudio scene or assault impregnable bastions of respectability, however I wish everyone did an exercise in self-criticism, we seriously planteáramos what happens houston in this cultural network in which no one dares to say this album is bad or this netlabel is not what it was. Why does it happen? What is the fear that assails us and not allow us to express openly and freely when something honestly we do not like or disappoint? So good, by that I mean we should not boo the artist who makes a bad disk or leaving netlabel publish interesting houston albums, but if you need to be a little honest with each other. We say loud and clear things, always with respect and no offense but make it clear when something we do not like, because honestly, hearing positive reviews is pretty boring, tedious and smug. I come from a school where constructive criticism is an essential part of the creative process. Over several houston years working in the art world or studying in this environment I have concluded that the best projects are those that discuss, debate and criticize. The review is an essential part of the creation and catalyst for the motivation to keep working so I propose, let us add that point to the list for the Netaudio scene things: criticism and therefore sincerity are elements that can improve our job to evolve, grow and improve. All this as Audiotalaia producer and artist publishing under CC licenses I am open to criticism, positive and negative, sure we capitalize houston them.
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